Station Hill Press

Station Hill of Barrytown, the dedicated project of the not-for-profit Institute for Publishing Arts, is an independent publisher of poetry, poetics, translation, and experimental prose. Our broad focus on innovative works in human alternatives also includes: philosophies and practices of conscious living (including studies in Buddhism, Dzogchen, Zen and Jewish esotericism); alternative health and healing (including acupuncture, bodywork, oriental medicine, mind-body therapies, and cooking). Founded in 1977, Station Hill is located a stone’s throw from the Hudson River in Barrytown, NY, and we are open to the public by appointment.

New from Station Hill

A Fiery Flying Roule

Eirik Steinhoff

A Fiery Flying Roule: To all the Inhabitants of the Earth; Specially the Rich Ones reproduces a series of pamphlets handed out during the Oakland Commune (a.k.a. Occupy Oakland) from 2 November 2011, the day of the “general strike” that shut down the Port of Oakland, to May Day 2012....

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Eirik Steinhoff

A Fiery Flying Roule: To all the Inhabitants of the Earth; Specially the Rich Ones reproduces a series of pamphlets handed out during the Oakland Commune (a.k.a. Occupy Oakland) from 2 November 2011, the day of the “general strike” that shut down the Port of Oakland, to May Day 2012. Works of collage, these 25 front-line transmissions include on-the-ground reportage of the protest as it transpired——a chronicle in text and image——interspersed with poetry, critique and other writings geared to inspire positive change. The name recycles the 1649 London antinomian pamphlets of the Ranter Abiezer Coppe, and the tenor of Cope’s prophetic do-it-yourself political barnstorming is continuously operative in these latter-day missives, particularly the irregular orthography of the proper noun by which Coppe called his pamphlets.


$15.00List Price:

Crazy Louise (or la Conversazione Sacra)

Louise Landes Levi

Louise Landis Levi’s Crazy Louise (or la Conversazione Sacra) is a close view of sexual trauma, a reading and rewriting of the body, political and personal, in a series of poems. A deliberate departure―both from the formal construction of her previous works and from her focus on early (medieval) forms of feminine process and liberation (Sweet on My Lips, the Love Poems of Mira Bai), Levi here works close to home in a personal, often fragmented process....

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Louise Landes Levi

Louise Landis Levi’s Crazy Louise (or la Conversazione Sacra) is a close view of sexual trauma, a reading and rewriting of the body, political and personal, in a series of poems. A deliberate departure―both from the formal construction of her previous works and from her focus on early (medieval) forms of feminine process and liberation (Sweet on My Lips, the Love Poems of Mira Bai), Levi here works close to home in a personal, often fragmented process. She details and deconstructs conventions relating to maternal instinct, hierarchical lineage and the suffering of female perceptual process within patriarchal constructs unable to recognize it. Levi writes as an “initiate,” redeeming oriental schools of “crazy” (unconventional) wisdom, or open mind, from the debilitating, socially invasive use of this same term in the occidental world. This series of untitled poems comprises writings ca.1992-2002 and serves as an introduction to the poet’s work―indeed unveiling, as the cover portrait of the author by legendary photographer Ira Cohen suggests. As Levi writes, “Ira knew how to look―he could prophesy through the lens. He knew I would one day unveil myself. Dear Reader, you certainly cannot tell a book by its cover―if you could these pages would be written in gold.”


$16.95List Price:

Dirty Work: A Chump’s Search for Meaning

Rod Bull

"What was happening? Everything I tried was going wrong. I needed to start again, get my life back. Would it be possible to change the events of my life, was there some basic flaw in me? 'There was a veiled past which I could not see, there was a door to which I had not key.' How would it be possible?" We've all been there: An impasse, a crossroads, an unmarked door—or some asymmetry in the weave of life that leaves us stuck at worst, though at best in question. So too begins Rod Bull’s ribald, funny, drunken, irreverent memoir of a seemingly accidental spiritual life....

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Rod Bull

"What was happening? Everything I tried was going wrong. I needed to start again, get my life back. Would it be possible to change the events of my life, was there some basic flaw in me? 'There was a veiled past which I could not see, there was a door to which I had not key.' How would it be possible?" We've all been there: An impasse, a crossroads, an unmarked door—or some asymmetry in the weave of life that leaves us stuck at worst, though at best in question. So too begins Rod Bull’s ribald, funny, drunken, irreverent memoir of a seemingly accidental spiritual life, with a constant refrain to “dirty work”—shoveling manure in a stable or bilge water in the belly of a ship, or cutting cane and viciously cut, the only cure to which is to urinate on yourself… Bull’s is a life of pratfalls, comic encounters (with an angry Jim Brown, the running back, in London, with sundry Tibetan Tulkus or with the tutelary heads of the Gurdjieff-Ouspensky Work) and hard won insights. What is of particular note is that here you read the story of no man soaring from height to golden height but an honest recounting and recollecting, blemishes and all, of a life of the spirit via serious hard traveling. Dirty Work: A Chump’s Search for Meaning is a memoir of crazy wisdom.


$7.00List Price:

Eating The Colors Of A Lineup Of Words: The Early Books of Bernadette Mayer

Bernadette Mayer
Edited by Michael Ruby & Sam Truitt

Bernadette Mayer is among the most influential poets of the late 20th century and to the present, with much of that interest falling to her earliest works. At the age of 15, in 1960, Mayer began writing and instantly with an incarnate directness and resource belying her youth. Over the next two decades, this precocious start would culminate in a body of writing extraordinary in its range and import. Even given that Mayer was moving in a New York milieu given to radical practice—as evidenced in the journal 0 to 9 she co-edited in the late '60s—these books in their collective force represent an explosion of poetic forms and investigation as profound and sustained as American poetry perhaps has seen....

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Bernadette Mayer
Edited by Michael Ruby & Sam Truitt
Bernadette Mayer is among the most influential poets of the late 20th century and to the present, with much of that interest falling to her earliest works. At the age of 15, in 1960, Mayer began writing and instantly with an incarnate directness and resource belying her youth. Over the next two decades, this precocious start would culminate in a body of writing extraordinary in its range and import. Even given that Mayer was moving in a New York milieu given to radical practice—as evidenced in the journal 0 to 9 she co-edited in the late '60s—these books in their collective force represent an explosion of poetic forms and investigation as profound and sustained as American poetry perhaps has seen. The permutations of her poetic shapes are myriad and through it all forms the irreverent and sacred, jocular and deadly serious, erotic, rigorously fashioned and off the cuff, gentle and tough, deadpan dance of a soul on fire—a poetic intelligence and skill operating at the heights. These early books have played an oceanic role in the formation of generations of experimental poets, though in shards, as many of the books on which her reputation is based have long been out of print—and so their operative life partial. This multi-volume publication, which includes some poems that have never been published—including such early long poems as “A Moving Boat Is a Squeezed Boat: 52 Cards” and “Complete Music of Webern (A Movie)”—makes available for the first time the near totality of Mayer’s early books.

Ceremony Latin (1964) * Red Book in Three Parts * Story * The Old Style Is Finding Out Something About A Whole New Set of Possibilities * Moving * Poetry * Eruditio Ex Memoria * The Golden Book of Words


$34.95List Price:

False Documents

Peter Lamborn Wilson

Are these texts shadows of the real? Or are they only false documents?

“Incunablula” and “Ong’s Hat” first appeared in the 1980s and spawned a mini-industry of conspiracy lit, several scholarly books, even a kids’ TV series (“Gakidor”), and a rock band (“Ong’s Hat”). Here are the original “legendary” texts, along with various and sundry other alternative histories, bad translations and anarchist ephemera, plus several previously unpublished works, including an entire Sci-Fi novel: Lunar Mansion or, the Whole Rabbit (based on Cornelius Agrippa’s Occult Philosophy, which was used to generate the plot)....

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Peter Lamborn Wilson

Are these texts shadows of the real? Or are they only false documents?

“Incunablula” and “Ong’s Hat” first appeared in the 1980s and spawned a mini-industry of conspiracy lit, several scholarly books, even a kids’ TV series (“Gakidor”), and a rock band (“Ong’s Hat”). Here are the original “legendary” texts, along with various and sundry other alternative histories, bad translations and anarchist ephemera, plus several previously unpublished works, including an entire Sci-Fi novel: Lunar Mansion or, the Whole Rabbit (based on Cornelius Agrippa’s Occult Philosophy, which was used to generate the plot).

A robust textual creativity resonates a region of magical transmutation, political possibility, and spiritual adventure, so that the whole collection vibrates and pulses with the flavors of the real. A “false” document would seem to involve a contradiction, since being false, it is no document at all. But documentation is no more possible than the articulation of some absolutely verifiable condition of Being itself. Peter Lamborn Wilson seems to have documented this condition with consummate probity.

—Charles Stein, author of There Where You Do Not Think to Be Thinking and transl. The Odyssey

Peter Lamborn Wilson is the very model of the outlaw scholar. Operating outside the stultifying atmosphere of academia, drawing on research and knowledge that is both wide and deep, and writing in clear and vivid prose blessedly free of jargon, Wilson charts the secret histories of this world and others.

—Rachel Pollack, writer, winner of the Arthur C. Clarke Award and the World Fantasy Award


$25.00List Price:

Glossodelia Attract

George Quasha

If William Blake’s “Proverbs of Hell” are poetry, then George Quasha’s preverbs are like a close cousin. Its core question is: can poetry say the unsayable? Preverbs wonder: what is poetry? A well established poetic tradition both modern and post-modern—some call it experimental—starts its poetics with: poetry is not what you think it is...

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George Quasha

If William Blake’s “Proverbs of Hell” are poetry, then George Quasha’s preverbs are like a close cousin. Its core question is: can poetry say the unsayable? Preverbs wonder: what is poetry? A well established poetic tradition both modern and post-modern—some call it experimental—starts its poetics with: poetry is not what you think it is. Its work is journeying inside language, as if passing through a distant country or else another reality. It conveys news of alternate dimensions showing through in the here-and-now, embedded inside our everyday thoughts and speaking.


$14.95List Price:

Heide Hatry: Icons in Ash

Heide Hatry

The art of the human image arose millennia ago as a way beyond impermanence and, especially, to keep the dead among us. The pictorial object "the icon" often carried a charge as ritual or ceremonial artifact and, indeed, as a thing with a certain power. The artist Heide Hatry has extended this tradition by creating realistic portraits made out of the actual ashes of the departed person portrayed....
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Heide Hatry
The art of the human image arose millennia ago as a way beyond impermanence and, especially, to keep the dead among us. The pictorial object "the icon" often carried a charge as ritual or ceremonial artifact and, indeed, as a thing with a certain power. The artist Heide Hatry has extended this tradition by creating realistic portraits made out of the actual ashes of the departed person portrayed. Are the results reminiscent of ancient sacred and secular traditions and their complex, even mysterious function to, say, calm, enrich or transform our experience? Icons in Ash includes seventeen of Hatry's portraits and twenty-seven contemporary writers who explore this phenomenon in original and engaging meditations on death, the dead body, art, relics, psychology, philosophy, religion, mourning, evolution, transformation, and immortality. Contributors include, among others, Hans Belting, Mark Dery, Eleanor Heartney, Siri Hustvedt, Jonas Mekas, Rick Moody, Mark Pachter, Steven Pinker, Wolf Singer, Luisa Valenzuela, and Peter Weibel.


$38.00List Price:

House Crossing

Laurie Patton

House Crossing is a book of 32 poems about where we live or, more properly, dwell, with each poem entitled by a different attribute of domestic architecture as it is commonly known: Copula, eaves, attic, beams, etc.  Such might lend itself to description, but ... in the vision of poet and scholar Laurie Patton each component becomes alive to an actuality beyond...

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Laurie Patton

House Crossing is a book of 32 poems about where we live or, more properly, dwell, with each poem entitled by a different attribute of domestic architecture as it is commonly known: Copula, eaves, attic, beams, etc. Such might lend itself to description, but--reminiscent in part of Ronald Johnson's oeuvre (The Foundations, The Spires, and The Ramparts)--in the vision of poet and scholar Laurie Patton each component becomes alive to an actuality beyond physical construct: The poetics of how we hold our ground, even if it is in flux--or as she writes, "A river runs... below the house." The instigation for this poetic cycle is Gaston Bachelard's The Poetics of Space, with this collection a homage to that classic phenomenological analysis. As she writes in her introduction, House Crosing arose as "a straightforward observation about the endurance of Bachelard’s work: if a poetics is good enough, and I believe Bachelard’s is, then it does not only comment on poetry, but can give rise to poetry as well." What Patton gives rise to is in part an opportunity for us each to live more evocatively in our days and nights in each our own place, building a being, as "Noah’s ark stands / at the end of our hallway."


$11.00List Price:

In|Filtration: An Anthology of Innovative Poetry from the Hudson River Valley

Anne Gorrick & Sam Truitt, Editors

In|Filtration is an anthology of contemporary Hudson Valley poetry that in one sense or another is innovative. The poets’ work is sometimes formally original and other times innovative in the use of more familiar poetic forms: old bottle/new wine; new bottle/old wine; and, quite often, new bottle/new wine. Much of the poetry here is directly or indirectly in conversation with national and international movements directed toward more exploratory uses of the medium...

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Anne Gorrick & Sam Truitt, Editors

In|Filtration is an anthology of contemporary Hudson Valley poetry that in one sense or another is innovative. The poets’ work is sometimes formally original and other times innovative in the use of more familiar poetic forms: old bottle/new wine; new bottle/old wine; and, quite often, new bottle/new wine. Much of the poetry here is directly or indirectly in conversation with national and international movements directed toward more exploratory uses of the medium—work that goes beyond the explorer's map into uncharted territories, places where the map tatters in the explorer's pocket and another world begins. Like explorers the editors have sought to map the contemporary currents of radical poetics in the Hudson Valley. There is truly an enormous wealth of poetic activity in the region, and of course such an exploration cannot be comprehensive Themselves poets, the editors present what they take to be the salient characteristic of the region in their essay “A Hudson Valley Salt Line” at the end of the anthology, pointing to the geological, human and cultural histories of the Hudson Valley as they dovetail with its poetries. They also provide their rationale for the title In|Filtration with particular reference to the Hudson River's salt line, which becomes the essay's key trope.


$34.95List Price:

Last Call: Awaken to Consciousness

James George

In his long life as naval historian, ambassador, environmentalist and author, James George has known a number of remarkable people and has lived in some of the world’s most interesting countries. The Dalai Lama calls him “my old friend.” Chogyam Trungpa called him “a wise and benevolent man, an ideal statesman.” He is credited with having helped to avert a war between India and Pakistan in 1971....

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James George

In his long life as naval historian, ambassador, environmentalist and author, James George has known a number of remarkable people and has lived in some of the world’s most interesting countries. The Dalai Lama calls him “my old friend.” Chogyam Trungpa called him “a wise and benevolent man, an ideal statesman.” He is credited with having helped to avert a war between India and Pakistan in 1971. Later, in the International Whaling Commission, he played a leading role in saving several species of whales from extinction. And now he shares what he can of his practice of the Gurdjieff way towards awakening to the present moment that has been the inner thread of his life for five decades—the awareness of the consciousness that is omnipresent and universal. However, most of this book is not about the Gurdjieff way but about what it means to be a real human being today, in the light of the latest science and of traditional teachings. He is the author of Asking for the Earth: Waking Up to the Spiritual/Ecological Crisis (1995), and The Little Green Book on Awakening (2008).


$18.95List Price:

Out of the Question: Selected Poems (1963-2003)

Lewis Warsh

Out of the Question: Selected Poems 1963-2003 gathers together a generous sample of work from Lewis Warsh’s many earlier collections. Warsh has been associated with the community of New York School writers who first met at The Poetry Project in Manhattan in the late 1960s, but as poet Forrest Gander writes, in a review of Warsh’s book Inseparable, “his influence has been felt nationally and internationally”....

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Lewis Warsh

Out of the Question: Selected Poems 1963-2003 gathers together a generous sample of work from Lewis Warsh’s many earlier collections. Warsh has been associated with the community of New York School writers who first met at The Poetry Project in Manhattan in the late 1960s, but as poet Forrest Gander writes, in a review of Warsh’s book Inseparable, “his influence has been felt nationally and internationally.” Out of the Question includes two long poems: The Suicide Rates, first published in 1967, and The Corset, which appeared in 1986. Novelist Paul Auster described The Corset as “not a poem so much as a new way of seeing the world. There is a stunning intelligence at work here, a fierce, deadpan wit that disturbs and enlightens in equal measure.” Auster’s comment can be applied to all of Warsh’s ongoing experiments, as both a poet and a fiction writer, and Out of the Question is the best possible introduction to anyone unfamiliar with his multi-layered body of work.


$19.00List Price:

Selected Poems: 1962-1986

Clark Coolidge
Edited by Clark Coolidge & Larry Fagin
Introduction by Bill Berkson

Clark Coolidge is a revered figure in the world of American and world experimental poetry, with much of such writing of the last 50 years seeming a footnote to or at best elaboration on his most radical reaches. Reading Coolidge's work is to "come back, this time enclosed, trim in paper. Plain sky part of sewn perimeters. Gurries and wobblances. The handtorch shows the tune its rock to turn." This Selected Poems will be how Coolidge's revolutionary early works will be read for generations to come....

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Clark Coolidge

Edited by Clark Coolidge & Larry Fagin

Introduction by Bill Berkson

Clark Coolidge is a revered figure in the world of American and world experimental poetry, with much of such writing of the last 50 years seeming a footnote to or at best elaboration on his most radical reaches. Reading Coolidge's work is to "come back, this time enclosed, trim in paper. Plain sky part of sewn perimeters. Gurries and wobblances. The handtorch shows the tune its rock to turn." This Selected Poems will be how Coolidge's revolutionary early works will be read for generations to come. Lyn Hejinian writes, "Reading through the still incredible work collected in this exemplary Selected Poems, I marvel all over again at the force of even the 'smallest' of Clark Coolidge’s poems. Coolidge’s sonic expertise has often been noted, and music—especially bebop and what has followed it—clearly has suggested to him ways to generate rhythmic clusters, to ride accelerations, to invent scales. No other poet ever has so exquisitely, and sometimes also turbulently, written sheer sonic wonder into poetry." This volume includes an introduction by Bill Berkson, entitled "The Spools of Clark Coolidge," recounting Coolidge's coming up and influences as well as eloquently expressing the visionary nature of his poetic enterprise.


$26.50List Price:

Syndicate of Water & Light

Marc Vincenz

In subtitling this book "A Divine Comedy," the poet Marc Vincenz brushes up against Dante, and yet he does so “in the pulse of a breath, /waiting for the rain / to wash away the dream.” There is light here—not perhaps the roseate of the Florentine retinue—but one we can use right now: “All visions / gone, but this, a world, / a world / dancing ahead..."

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Marc Vincenz

In subtitling this book "A Divine Comedy," the poet Marc Vincenz brushes up against Dante, and yet he does so “in the pulse of a breath, /waiting for the rain / to wash away the dream.” There is light here—not perhaps the roseate of the Florentine retinue—but one we can use right now: “All visions / gone, but this, a world, / a world / dancing ahead.” Vincenz questions notions of humanity, the potency and power of language over time, implying perhaps that codes have driven us throughout history and that the emergence of the AI will yield the next stage in its evolution. After a long night of the soul, where formal religion yields to love and imagination, we emerge to a healing space that is both inner and outer, physical and spiritual. The Syndicate of Water & Light gives us a sense that we can grow in knowledge and that we can change—if not, perhaps, the world, then at least within ourselves.


$12.00List Price:

Tequila Mockingbird

The unforgettable sexy spirited fashion model Fiona Mays obsesses with supermodel best friend Brenda Rawlings in Carter Ratcliff’s hilarious Tequila Mockingbird. Fiona’s irresistible, loving, smart, sexually hyperactive, racing thoughts fill every page and make us fall in love with her. When Brenda receives death threats from Sergei Propokoff, the Russian oligarch she’s been dating, the story turns from the fast life in New York’s fashion world to thriller where the beautiful princess must be saved from the ogre, and it’s up to Fiona and Fiona alone.

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The unforgettable sexy spirited fashion model Fiona Mays obsesses with supermodel best friend Brenda Rawlings in Carter Ratcliff’s hilarious Tequila Mockingbird. Fiona’s irresistible, loving, smart, sexually hyperactive, racing thoughts fill every page and make us fall in love with her. When Brenda receives death threats from Sergei Propokoff, the Russian oligarch she’s been dating, the story turns from the fast life in New York’s fashion world to thriller where the beautiful princess must be saved from the ogre, and it’s up to Fiona and Fiona alone.


$18.95List Price:

Three New York Poets: Charles North Tony Towle Paul Violi

Edited with essays on the writers by Andrew McCarron

What is the shape of a life dedicated to poetry—and how, and from where, does such a dedication take hold? Moreover is that foundation a matter of decision, necessity and/or “grace”—or all three to degrees—and what are its costs? Combined with a selection of poems from these three distinguished poets, who together form a core of the Second Generation of New York School poets, Andrew McCarron pursues these questions, and more, through a series of biographical essays addressing each poet’s life story and psychological complexion...

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Edited with essays on the writers by Andrew McCarron

What is the shape of a life dedicated to poetry—and how, and from where, does such a dedication take hold? Moreover is that foundation a matter of decision, necessity and/or “grace”—or all three to degrees—and what are its costs? Combined with a selection of poems from these three distinguished poets, who together form a core of the Second Generation of New York School poets, Andrew McCarron pursues these questions, and more, through a series of biographical essays addressing each poet’s life story and psychological complexion—and what critical insights such gleanings might lead. The poetry alone of North, Towle and Violi—exact in its execution and wide in its—is of enduring value and utility; juxtaposed with and in part seen through McCarron’s exegeses, these qualities assume a poignancy that seems to lead us further into an examination of our human fate and of what it’s all about: or as Towle writes, “in between the great saga of America, / lying like a lost nickel in New York’s platonic gutter.” As long as interest in the New York School holds—and in fact continues to grow—Three New York Poets will remain an essential guide.


$22.95List Price:
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