Bill T. Jones choreographed and performed worldwide as a soloist and duet company with his late partner, Arnie Zane before forming the Bill T. Jones/Arnie Zane Dance Company in 1982. Creating more than 100 works for his own company, Jones has also choreographed for Alvin Ailey American Dance Theater, AXIS Dance Company, Boston Ballet, Lyon Opera Ballet, Berlin Opera Ballet and Diversions Dance Company, among others. In 1995, Jones directed and performed in a collaborative work with Toni Morrison and Max Roach, Degga, at Alice Tully Hall, commissioned by Lincoln Center’s “Serious Fun” Festival. His collaboration with Jessye Norman, How! Do! We! Do! premiered at New York’s City Center in 1999.
In 1990, Jones choreographed Sir Michael Tippett’s New Year under the direction of Sir Peter Hall for the Houston Grand Opera and the Glyndebourne Opera Festival. He conceived, co-directed and choreographed Mother of Three Sons, which was performed at the Munich Biennale, New York City Opera, and the Houston Grand Opera. He also directed Lost in the Stars for the Boston Lyric Opera. Jones’ theater involvement includes co-directing Perfect Courage with Rhodessa Jones for Festival 2000, in 1990. In 1994, he directed Derek Walcott’s Dream on Monkey Mountain for The Guthrie Theater in Minneapolis, MN.
Television credits include PBS’s “Great Performances” Series (Fever Swamp and Last Supper at Uncle Tom’s Cabin/The Promised Land) and “Alive from Off Center” (Untitled). Still/Here was co-directed for television by Bill T. Jones and Gretchen Bender. A PBS documentary on the making of Still/Here, by Bill Moyers and David Grubin, “Bill T. Jones: Still/Here with Bill Moyers”, premiered in 1997. The 1999 Blackside documentary I’ll Make Me a World: A Century of African-American Arts, profiled Jones’ work. D-Man in the Waters is included in “Free to Dance”, a 2001 Emmy winning documentary that chronicles modern dance’s African-American roots. Narrated by Jones himself, the BBC/VIEW also produced a documentary film, entitled Bill T. Jones: Dancing to the Promised Land, that documents the creation of Jones’s Last Supper at Uncle Tom’s Cabin/The Promised Land and guides us through the life, work, and creative process of Jones and the Bill T. Jones / Arnie Zane Dance Company.
Jones is the co-creator, director and choreographer of the musical Fela!, which ran Off-Broadway in 2008 and is opened on Broadway in previews in October 2009. Jones won the Lucille Lortel Award as Outstanding Choreographer for his work as well as the Tony Award for Best Choreography.
World renown dancer / choreographers Bill T. Jones and Arnie Zane were partners in art and life from 1971 to Zane's death in the late 80's, sharing a home, a dance company, and a celebrated creative process. Body Against Body traces their dramatic (and often controversial) careers as they intertwine and collide....
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World renown dancer / choreographers Bill T. Jones and Arnie Zane were partners in art and life from 1971 to Zane's death in the late 80's, sharing a home, a dance company, and a celebrated creative process. Body Against Body traces their dramatic (and often controversial) careers as they intertwine and collide in a unique choreographic collaboration that has influenced much contemporary dance by merging cultures, races, and artistic styles. The book includes Zane's haunting photos, Jones' visceral poetry and prose, performance scripts and scenarios, a biographical essay (with performance catalog), dance photos of the company in action, and commentaries by dancers, critics, composers, musicians, visual artists, and a range of others. Among the artists who have contributed their creative visions to these collaborations are Bill Katz, Robert Longo, Peter Gordon, Keith Harring, and Max Roach.
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